Atención al Cliente de Artemis Director's Viewfinder

Claudio Miranda ASC: Cinematographer
Top Gun: Maverick, F1, Life of Pi, Benjamin Button, Oblivion
- “I've been using Artemis from the very beginning. I love that it's a shared tool. First between the director and myself. Then once we approve shots, the images from Artemis get shared with the crew.”

Kate Dennis DGA: Director
The Handmaid’s Tale, Glow, The Serpent Queen
- "Artemis has streamlined my communication with cinematographers, VFX supervisors and other Heads of Department. Now we all know that we are talking about the exact same frame!"

Linus Sandgren FSF: Cinematographer
Saltburn, La La Land, Babylon, Joy, American Hustle
- "Artemis is an amazing Swiss army knife style lens kit that has helped me frame up countless shots in any format in an instant.”

Matthew Libatique ASC: Cinematographer
Maestro, A Star is Born, Black Swan, Requiem for a Dream, The Fountain
- "Not only do I frame every shot with Artemis , I use it to record blocking rehearsals and as part of my process when debating lens and format choices as I work with a director and production designer while location scouting.”

Nicolas Winding Refn: Director
Too Old to Die Young, The Neon Demon, Only God Forgives, Pusher
- "Artemis Pro has tapped into the way of the future by taking full advantage of the digital revolution. The app quickly became an essential tool to capturing my vision.”

Mandy Walker ASC, ACS: Cinematographer
Elvis, Mulan,, Hidden Figures, Truth, Australia
- "Both Artemis & Artemis Prime are essential tool when scouting locations, allowing accurate information to pass from the director and DP to the crew"

Barry Ackroyd BSC: Cinematographer
Jason Bourne, The Big Short, Captain Phillips, Hurt Locker
- "Artemis makes me feel smarter than I was without it. It’s the sharpest tool on my iPhone.”

Toby Oliver ACS Cinematographer
Get Out, M3GAN 2.0, Happy Death Day, Insidious IV, Wolf Creek 2
- "Artemis Pro is so well thought out. You can precisely choose the camera package and lenses you have to hand to obtain exact ideas of shot angles and sizes on the location survey.”

Darius Khondji ASC, AFC, ACS: Cinematographer
Bardo, Okja, The Lost City of Z, Delicatessen, Se7en
- "Artemis is the best cinematic tool of modern times. I started using Artemis in 2010 and have loved it ever since. It is so accurate with up to date lenses, cameras and formats. It is always with us on scouts and during shoots. Artemis allows the director and I to share how we see things with each other and with the rest of the crew.”

Robert McLachlan ASC, CSC: Director / Cinematographer
Landman, Yellowstone, Game of Thrones, Westworld
- “On Game of Thrones we scouted locations months in advance. Artemis allowed me to communicate our needs to the VFX and art departments. It was critical in planning the Dance of Dragons sequence.”

Craig Zobel: Director
Westworld, American Gods, The Leftovers, The Penguin
- “I use Artemis on a daily basis. Both on set where it saves so much time, but also to help plan for a shoot, as accurate photo storyboards have become so useful. I can't imagine filming without it these days. I always have my phone, so I always have a viewfinder.”

Artemis also offers:
- Virtual Stand-Ins, to assist in blocking actors
- Custom Frame-lines
- Share camera & lens setups with other Artemis users
- Record Images & Videos
- Gallery for sorting and planning
- Export of Shot-lists & Storyboards
- Export of detailed Shot-Plans with sun position data (if paired with the Helios app)